Wednesday 20 February 2008

Laika

Author & Illustrator: Nick Abadzis

Genre: Graphic Literature, Modern History

Age Range: 14+ (This is only due to there being the odd swear-word. Handled with care, then a deeper child who is younger could read this if assisted by an adult who can help them deal with the themes.)

Theme/Subject: Russia, Space Race, Cruelty to Animals, America vs. Soviets

Publisher: First Second

ISBN: 9781596431010

Synopsis: (Amended from the Inside Sleeve)

Laika was the abandoned puppy destined to become Earth’s first space traveller. This is her journey. Along with Laika, there is Korolev, once a political prisoner, now a driven engineer at the top of the Soviet space program, and Yelena, the lab technician responsible for Laika’s health and life. Abadzis gives life to a pivotal moment in modern history, casting light on the hidden moments of deep humanity behind the cold hard facts.

Review:

I saw this on the ‘Just In’ shelf in Borders and it caught my eye immediately. Judging by the text on the front, I knew the story had to be something to do with Russia (the Soviet Union as it turns out) and so I picked it up and saw, to my joy, that it was a graphic novel. This was the first piece of work I had encountered by Abadzis.
In short, the story deals with the launch of the Soviet’s launch of Sputnik (1957) and the race afterwards to launch a second ship into space. We become involved in Krushchev’s desire to out-do Eisenhower and the Americans and show them that Communism in the Soviet Union was, in his eyes, successful. Whilst this battle for the heavens goes on, the reader follows the story of Laika, a homeless stray dog who is painfully searching for companionship and comradeship. Ultimately, she is taken in and trained to be the first living creature ever to enter space. However, heartbreakingly, it was never to be a return journey.
Abadzis does a wonderful job on trying to capture the Soviet Union in the 1950s; the struggle for power in the space race; but more importantly, the struggle for compassion and love in a country only just coping with the repressive control that Stalin had placed upon them.
There are so many facets that I loved about this graphic novel: the relationship between Yelena and the dogs she handled and the huge social differences and difficulties in the Soviet Union during the 1950s, to name but a few. Abadzis handles the story with a warm and caring touch, so much so that I could not help but cry and reflect on the impact that the little dog, and all those attached to her story, had on me.

Mr. Gum and the Goblins

Image taken from pgcbooks

Title: Mr. Gum and the Goblins

Author: Andy Stanton

Illustrator: David Tazzyman

Genre: Nonsense, Humour

Age Range: 7-11

Theme/Subject: Nonsense

Publisher: Egmont

ISBN: 9781405228169

Synopsis:

Something is rumbling up in the high-distant hills of Goblin Mountain. It is the pitter patter of wild, rampant badgers? Possibly, but it’s more likely to be the angry mob of goblins led by the evil Mr. Gum! Can Polly and her friends put an end to his evil shenanigans before the wonderful town of Lamonic Bibber is left in ruins? Only the badgers know. Well, I know too as I’ve read it.

Review:

I am a huge fan of Andy Stanton and his style of writing. The Mr. Gum series is a fresh injection of nonsense humour. The style of humour smacks of Philip Ardagh only even battier; if that is conceivably possible. Whereas Ardagh (of whom I also thoroughly enjoy) seems to think of a plot first and then weaves his humour around that, I feel that when I read Stanton, he seems to just go with the flow, inject belly-blastingly funny moments and weave a plot around that instead.
For me, what makes the Mr. Gum’s series work so well is Andy Stanton’s utter embrace of pure nonsense and chaos. It is his wonderful play on words and the structure of a story (or even a book for that matter) that drives the reader on. Tazzyman’s scratchy, sketchy pen illustrations help bring Lamonic Bibber to life a little more too (I really liked the goblin pictures – my favourite being Big Steve).
The amount of times I laughed out loud at something funny a character has said or done or a scene that Stanton had created that was just plain daft, I could probably count on my fingers (I have quite a lot of them as I went out and bought a huge bag of ‘Findus Fish Fingers’ this morning). I can see this being a great book to share with someone who has a taste for the silly and shows a touch of Pythonesque humour. Andy Stanton is a unique voice out there at the moment and although not the deepest of writers (which in no uncertain terms is he even attempting to be) certainly must be one for children who will get the most laughs.

Sunday 17 February 2008

My Swordhand is Singing

Image taken from http://www.fantasticfiction.co.uk/
Author: Marcus Sedgwick
Genre: Historial, Horror,

Age Range: 11+

Theme/Subject: Vampires, Folklore, Ukraine, Historical, Loss, Redemption

Publisher: Orion

ISBN: 1842551833

Synopsis: (Edited from the inside of the jacket)


In the bitter cold of an unrelenting winter Tomas and his son, Peter arrive in Chust and settle there as woodcutters. Tomas digs a channel of fast flowing waters around their hut, so they have their own little island kingdom. Peter doesn’t know why his father has done this not why his father carries a long, battered box, whose mysterious contents he is forbidden to know. Set in the remote and forbidding landscapes of the seventeenth century, this is a heart-rending story of loss and redemption, and inspired by the original vampire folklore of Eastern Europe it represents a unique regeneration of a timeless myth.

Review:

This is the fourth Sedgwick that I have read and must admit to taking a shine, not only to his style of writing, but also the eye with which he sees the world. Sedgwick’s ‘Swordhand’ is a real triumph in portraying a time when people were still greatly affected by folklore and dark whisperings in the world that surrounded them. Much like ‘The Dark Horse’, Sedgwick has encompassed a land where, in terms of knowledge and understanding, people are still in their infancy and the Europe is still vastly untamed.
The book’s dark and brooding pace suits the story’s mood. Written in third person, the tale oversees the life of Peter whose secretive father hides a tragic past and whose distant and offhanded demeanour makes growing up in the cold wild of 17th century Romania difficult. After moving from place to place we find father and son beginning to settle on the fringes of the village of Chust. Here, Peter tries to forge relationships with the guarded locals, but all is not as it seems as the nights are plagued by vampires. Peter finds himself not only entangled a web of deceit within the village but also in the grip of his father’s past which will not leave them alone.
Although aimed at the younger teens, I have found ‘My Swordhand is Singing’ fits 10+ in age as long as the reader is prepared to be scared and is competent. The landscape and characters are so well crafted and the storyline so deeply sown into the world painted by Sedgwick that this is a book you shouldn’t miss. I was particularly taken by Tomas (Peter’s father), who is handled with great mysteriousness and who plays well opposite Sofia, a gypsy girl whom Peter befriends. With no end of scary moments and gripping episodes, the book ends in a climax that leaves the reader wanting more. This is a vampire story that deals more with their origins rather than the typical soft-brush that they tend to be painted with these days.

Saturday 16 February 2008

Catcall

Image taken from http://www.amazon.co.uk

Illustrator: Ian P. Benfold Haywood

Genre: Realism, Family-Life

Age Range: 7-11

Theme/Subject: Acceptance, Families, Separation

Publisher: Orion

ISBN: 9781842555682

Synopsis: (Taken from the blurb)

Josh’s family is used to changes – but now they’re hurtling into even more. Although Josh has always had an affinity with animals, it’s his younger brother Jamie who falls under the wild cat spell. Leo seems to have taken over Jamie’s life. Soon it becomes impossible for the family to cope with his frightening, unpredictable behaviour. Only Josh understands, but is he brave enough to break through Jamie’s unhappy mask, and save them all?

Review:

I am rather ashamed to say that ‘Catcall’ is the first Linda Newbury novel I have read. I have owned ‘At the Firefly Gate’ for over a year now but have not gotten around to reading it. However, after reading ‘Catcall’ I know that it’ll be one that makes my immediate reading list. Newbury’s writing style is accessible and yet deep and ‘empathetic’. Within moments, I was in the book and the lives of Jamie and Josh.
The novel is written in first person, which I always admire when an author handles this well. We see the story take place through the eyes of Josh, the elder brother. Josh and Jamie live with their mother and step-father as well as their ‘new’ baby step-sister, Jennie. Their father lives further in London with his girlfriend, Kim and her teenage son Kevin. The story is a very interesting insight into personal territory and one boy’s fight to try and keep his identity while the world around him changes for the worse.
Josh’s younger brother, Jamie, after a visit to a zoo, seems to become possessed by the spirit of a lion that they see caged up. As the book progresses, Jamie becomes more and more lost and the spirit of ‘Leo’ increases. Josh and his family look on in horror as they see Jamie’s persona disappear behind an angry cat-mask. It is only the person who is closest to him, his big brother Josh, who can pull him back from the darkness of acceptance.
I thoroughly enjoyed this book. I liked the whole idea of the story of ‘one boy’s refusal to accept change in his family’. Newbury seems to effortlessly create thoughtful and well-painted characters whose dialogue and actions are easy to imagine and a joy to soak up. The book is interspersed with cut-outs from Josh’s Catbook where we learn fascinating facts about cats throughout history and science. The themes of the story are ones that children, for whom the book is aimed at, can either relate to or at least empathise with. This would make a very good class reading book for Year 4 to Year 6 and could be a prompt for a lot of discussion if handled well.
This was our school Book Group book and the pupils really enjoyed it. I would like to say a huge thanks to Linda Newbury for the gifts and kind words which she wrote to the group: the children were overwhelmed and deeply grateful. I heartily recommend this book to anyone who likes to think about the challenges of a family that has broken up and the relationships between siblings in a household when this happens.

Wantage CE Primary School Book-Group: The Start of Something Big?

The Running of a successful book-group within the Primary School.

Ever since I first became a teacher at Wantage CE Primary, back in 1999, I have been striving to get every child in my class to become as avid a reader as I am. I feel that it is the duty of every teacher to do this. Real reading can open up our eyes to the world we live in as well as appreciate the world within ourselves too. With this thought I set about making sure that I frequently read a wide and challenging range of books that would ensure healthy booktalk within the classroom. Over the years I attempted many different approaches to raising the standard of reading within the school, be it reading and sharing what I have read with the class; having a reading hour where parents come in and we read in small groups to children; handing out my recommended reading lists at parents’ evenings; to finally setting up a Reading Group.
The idea of starting a Reading Group occurred when I joined one myself several years ago. This group is hosted by Mary Sutcliffe, a former lecturer of mine from Westminster College (now Oxford Brookes). I found the meetings rewarding and insightful on many levels and was reading books that would have slipped my notice. Debate about whether a novel was good or bad was always healthy as was discussion of characterisation and theme. The fact that coffee and cake were added into the mix always helped too!
When I began teaching Year 6 in September 2007, I decided that I enjoyed my Reading Group so much that installing one within the school would be a good idea. My first approach, and in fact the one I stuck with, was to open it up to Year 5 and 6. Prior to the decision, I had flitted with the idea of doing one in Year 3 & 4 also. However, my wife rightly decided that one club was enough for the time being.
Marcus Sedgwick’s ‘My Swordhand is Singing’ was to be our first book. The choice itself was based on the year’s nominees for the Carnegie Medal. I had read plenty of Sedgwick before and thought that this was a novel (and author) that none of the children had read before. As the weeks prior to the first meeting passed I had the great joy of watching several of my pupils read the book during quiet reading and neighbours asking what the book was about and that the cover looked ‘cool’. Also, in the letter reminding the pupils of when the meeting was, I stated that they could bring a snack or two (mainly chocolate based) if they wanted. This, of course, went down a storm!
At the first meeting we were all nervous. The club took place in the school’s infant library. In the middle of the huddle was a small mountain of chocolate and lemonade. All the pupils sat anxiously with their copy of the book as well as another recommended book (which they had been asked to bring along). After the disastrous first fifteen minutes, where I allowed them to eat and chat about the book, we managed to get a good discussion going. The reviews were mixed, which was excellent as it started a self-running debate about the novel itself as well as the characters and their actions. Those who were quiet were either pulled into the conversation by me or a peer and we managed to get a great deal out of the discussion. The only problems were that the session was too short (1 hour) and we had to rush the recommendations.
News travelled fast. When the following book had been decided ( ‘Catcall’ by Linda Newbury ), the number of pupils who had signed up for the club had doubled. We now had 26 pupils attending and one Teaching Assistant who had asked if she could come along to the following meeting: to which I heartily agreed. This time I was better prepared. Having read the book earlier on, I decided to get in contact with Linda Newbury and tell her that ‘Catcall’ was being read in our group. She was an absolute saint and not only wrote an email back within moments, but also sent the group a stack of bookmarks and two books signed and made out to ‘Mr. Tobin’s Reading Group.’ Naturally, the children were enthralled about this and set about reading the book with great aplomb. It was nice to see not only purchased copies of Catcall in my classroom, but also editions loaned out from the local library (which I had advised parents to consider if they couldn’t get hold of a copy). To my pleasure, it turned out we had all the copies of ‘Catcall’ that the Oxfordshire Library owned.
The second meeting took place recently (we decided that one every six to seven weeks was more than enough). This time I only allowed the food and drink to be consumed when the main discussion was over and we were making our recommendations: this helped sort out the chaos at the beginning and allowed for real booktalk. As a group, we decided to devote our library display to the work of Linda Newbury with a focus of writing reviews on ‘Catcall’ (which was loved by all). I spoke a LOT less in this meeting, allowing the children to do the talking and debating. Rather touchingly, the Year 6s were aware that they would only be here for around another two meetings and then would have to leave for secondary school. They asked if they could return next year for the meetings to which I agreed to give it some thought.
Overall, I feel that the book group has been a success on many different levels. On a personal front, I am running a club which I thoroughly enjoy being a part of. In fact, we have had to extend the club by an extra fifteen minutes as we weren’t getting through the content. It is also a joy to watch the enthusiasm emanate from these readers who are not only talking about the story, but also the style of writing adopted by the author as well as the credibility of the character’s actions and themes too. They are even making connections with other books that they have read in relation to the one we are reading and more importantly, reflecting upon how much they are learning about the world around them.
I think our Book Group is a great success and will continue to be so. Any teacher who enjoys reading and wants to share this enthusiasm with their school, should consider a similar approach. For me, the hardest part is sitting down and choosing the book. I have found a failsafe approach is to either go to www.writeaway.org.uk and look through the reviews relevant to your age category or go to the book awards sites that are out there and see which titles are making a noise. I don’t know how the Book Group will adapt throughout the years but I definitely state that as long as it runs I will be doing my utmost to delivering stories and worlds that these children may have missed had they not had the opportunity or guidance.
‘Broken Glass’ by Sally Grindley is our next book.

The Novice (Book sent by www.writeaway.org.uk)

Picture Provided by Fantastic Fiction

Author: Trudi Canavan

Genre: Fantasy

Age Range: 12+

Theme/Subject: magic, fantasy, politics, adventure

Publisher: Atom

ISBN: 9781905654116



Synopsis: After a reluctance to join the Guild of Magicians, Sonea – the slum girl – begins training within the great buildings of Imradin’s magical University. Her induction is painfully difficult as she is consistently bullied and ostracised by almost the entire guild. Meanwhile, intrigue and mystery involving the actions of the High Lord of Magicians himself causes worries that could not only threaten Sonea’s life, but also the lives of every inhabitant of Imradin.

Review: After having read the first book in this trilogy, I was slightly reluctant about attempting the second. I had found ‘The Magicians’ Guild’ to be all-too similar to many other fantasy books out there. However, to my complete delight, ‘The Novice’ was an excellent read with a great blend of magic, politics, stimulation and discovery. Canavan spent a lot of time building up the land of Kyralia in her first book and I now understand that this was a clever and well-rewarded move which helped to make ‘The Novice’ an exhilarating read.
Readers are taken through multiple stories throughout the book. Intrigue and Politics heavily feed the journey of Dannyl, whereas Bullying and Tension thread through Sonea’s story. These aspects melded with a host of other minor, but crucial storylines help drive the narrative’s pace.
Canavan’s style of writing is easy to read and although the trilogy could be seen as young-teen introduction to adult fantasy, I feel that the language at least is accessible to a younger reader who might be interested in these themes. Although a whopping 550+ pages, the text is large and there is a sense of quick progression through the book. The characters are well created and my only wish would have been that even more detail was added to a world that is already clearly painted.
‘The Novice’ is an assured stamp that Canavan is here to stay. Her writing has much improved since her first book in the trilogy and I look forward to reading more about Sonea’s journey and the outcome of the High Lord’s future in ‘The High Lord’: the final book in the series. Although too big to read to a class, the trilogy would make a great addition to a secondary school library or as a gift to a budding reader who enjoys reading fantasy novels.